Lissa Blackaby Forsterer advises independent agencies on growth, coaching agency owners and leaders and providing fractional business development support. Forsterer also describes work helping PVS Graphics expand its client base.
Lissa Blackaby Forsterer advises independent agencies on growth through coaching and fractional business development.
Their LinkedIn posts focus on practical, relationship-led ways to find work and explain an agency’s value.
One post encourages agency owners to tell a client’s story—what problem the client faced, what the agency did together with them, and what changed—instead of making a boastful-sounding pitch.
Another suggests reconnecting with former clients, colleagues and other warm contacts.
These examples give agency leaders concrete advice to follow.
The posts turn clear principles into actions agency owners can try.
Advice to share a client result becomes a three-part story: challenge, joint work and outcome.
Networking advice names specific contacts and offers a sample catch-up message.
Together, these examples make business development feel useful and personal rather than pushy.
The posts also show hands-on work: Forsterer describes supporting PVS Graphics with client-base growth, alongside coaching and fractional business development work through Cheerful Persistency.
Lissa Blackaby Forsterer’s posts make agency growth practical and relationship-based: stay in touch with people who already know the agency, and explain its value through what changed for clients.
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They also show a preference for selective, fractional support over a broad, one-size-fits-all offer.
Grow through relationships you already have
Blackaby Forsterer argues that business development need not start with cold pitches.
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Familiar contacts can lead to a proposal or referral, but a conversation that simply keeps the agency in mind is worthwhile too. The approach favors considerate, low-pressure contact over pushiness.
The post suggests checking in with past clients, former coworkers, a client who has moved to a new company, and contacts from pitches the agency lost. Its sample message opens with a brief congratulations and invites the recipient to catch up.
Tell the client’s story, not the agency’s sales pitch
Blackaby Forsterer describes agency owners who hesitate to share successful work for fear of sounding boastful.
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The proposed alternative is to explain the client’s challenge, what the agency did together, and what changed. That gives prospective clients evidence to judge whether the agency understands their problem.
The post lays out those three questions and argues that owners should not expect prospects to connect the dots on their own. It recasts sharing a result as telling the client’s story rather than praising the agency.
In describing Cheerful Persistency, Blackaby Forsterer combines coaching agency owners and leaders with fractional business development for a selected group of agencies.
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The posts also describe fractional support for PVS Graphics to expand its client base.
Blackaby Forsterer describes returning to PVS Graphics, Opus Creative Group’s sister company, to support client-base growth. The posts link that work to a 13-year tenure at Opus and long-standing relationships with the companies’ owners.
Answers the basic newcomer question — what this person does day to day — and shows how the consultancy and embedded work fit together.
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Blackaby Forsterer announces a return to Opus Creative Group's sister company PVS Graphics, where they will provide fractional business development support to expand the client base.
The post notes 13 years at Opus and long-standing relationships with the owners of both companies.
It describes PVS Graphics as making custom printed and fabricated event, experiential, and retail solutions for Fortune 1000 footwear/apparel, tech, and food and beverage brands, and frames the team as the people you call when you have an idea sketched on a napkin.
The post also sets out the other half of the work: Cheerful Persistency, an agency growth consultancy that combines coaching for indie agency owners and leadership with fractional business development for a deliberately small group of agencies.
For brands planning a campaign
For an agency weighing a fractional business development engagement, this is the clearest outline of the offer: coaching plus embedded sales support, scoped to a selected group rather than an open roster. It also identifies the client environment — physical and experiential production for large consumer brands — that shapes the client-base expansion work.
Shows how they reason with agency owners about self-promotion, helping buyers judge whether the coaching approach suits a team that dislikes selling itself.
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The post names the problem directly: agency owners will describe a strong client result in private, then hesitate to share it publicly, with objections including “I don't want to sound boastful” and “I'm not comfortable promoting myself.”
The proposed reframe is to drop self-promotion and narrate the client's situation instead — what the challenge was, what was done together, and what changed.
Blackaby Forsterer argues this gives a future client evidence that the agency might understand their problem too.
They note that the owner usually holds the biggest microphone in the company; without those stories, prospects are expected to connect the dots themselves, which they probably will not.
For brands planning a campaign
This is a proof-through-client-outcomes posture, not a volume-promotion posture. A brief that gives an agency a concrete client result to unpack fits the advice better than one that asks for self-promotional output.
The most directly usable piece for a team that wants to see the method, not just the philosophy behind it.
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Blackaby Forsterer sets out a warm-network routine: check in with people who already know, like, and trust the agency, including past clients, former coworkers, a client who moved to a new company, a junior account lead who was promoted, and contacts from pitches the agency lost.
The post supplies a sample message — congratulations on an update, would love to catch up soon — and notes that one conversation can become a proposal, a referral, or simply a reason to stay top of mind when timing aligns.
It argues that the approach requires no pushiness, only being kind, authentic, and curious, and tags the themes as #RelationshipMarketing, #AgencyLife, and #SalesWithHeart.
For brands planning a campaign
The method relies on warm re-engagement. Before committing, an agency expecting cold-outreach machinery or paid demand generation should ask whether those services are included.
Relationship-led business development for agencies
In a post tagged #RelationshipMarketing, #AgencyLife, and #SalesWithHeart, Lissa Blackaby Forsterer argues that agency growth does not have to be complicated: start with people who already like, know, and trust the agency.
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The post names past clients, former coworkers, a client who moved to a new company, a junior account lead who was promoted, and contacts from pitches that were lost as the first people to check in with. The recommended outreach is a short, casual message rather than a pitch, framed as "kind, authentic, and curious" instead of pushy.
Segment the warm network by relationship type, then send brief, personal check-ins that can lead to a proposal, a referral, or a staying-in-touch conversation.
For brands planning a campaign
A brand can evaluate this as a teaching and template angle: warm-network reactivation, re-engagement sequences, and personal outreach rather than paid acquisition. A fractional business development brief would likely focus on list building and one-to-one contact, not broad-funnel advertising.
Lissa Blackaby Forsterer describes agency owners’ reluctance to talk publicly about strong work as the biggest challenge they see.
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Owners share impressive client results privately, then hesitate because they do not want to sound boastful.
The post offers a specific reframe: do not tell everyone how great the agency is; tell them what happened for the client.
Three questions carry the argument — what was the challenge, what did you do together, and what changed because of the work?
The post argues this gives future clients evidence that the agency might understand their problem too, and notes that agency owners often have the biggest microphone in the company.
Turn a private result into three public answers: the client challenge, the work you did together, and the outcome.
For brands planning a campaign
Useful for case-study, testimonial, and founder-led content programs. A brand could brief a client-evidence series built around these three questions or ask the owner to share the stories on their own channel.
Fractional business development and selective agency work
Both announcement posts describe Cheerful Persistency as Lissa Blackaby Forsterer’s agency growth consultancy, combining coaching for indie agency owners with leadership on agency growth and fractional business development services for "a very selected group of agencies."
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The posts also describe a renewed arrangement with PVS Graphics, the sister company of Opus Creative Group, to provide fractional business development support as it expands its client base. Lissa notes a 13-year prior tenure at Opus and long-standing knowledge of the owners of both companies.
For brands planning a campaign
The work is described as fractional and selective, not a high-volume agency service. A brief should assume a limited roster and a growth, coaching, and business development remit rather than full-service campaign execution.
Experiential, event, and retail production context
Through the PVS Graphics and Opus Creative Group relationship, Lissa Blackaby Forsterer describes a team producing custom printed and fabricated event, experiential, and retail solutions for Fortune 1000 footwear, apparel, technology, and food and beverage brands.
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The post calls this a return to the "analog" sandbox and a refreshing contrast to current digital marketing and AI topics.
The post’s digital-versus-analog contrast places this physical production work in a different context from Lissa Blackaby Forsterer’s digital growth consultancy.
For brands planning a campaign
Relevant to physical brand experience, retail display, event fabrication, and experiential briefs. The post distinguishes this production world from digital and AI marketing, so a brief should specify which side it needs.
Accountability and storytelling as agency-owner habits
Across the posts, independent agency growth comes down to two habits: staying in touch with the network the agency already has and putting client outcomes into words.
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One post offers the outreach method; the other shows what to say once a result exists. Both target agency owners and leadership, not brands directly.
For brands planning a campaign
A brand considering a coaching or fractional growth engagement can ask how these habits are put in place — for example, through a check-in cadence and case-study routine — and what evidence would show they are working.
Lissa Blackaby Forsterer runs Cheerful Persistency, their agency-growth consultancy, where they coach independent agency owners and provide fractional business development.
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Their posts also name two companies from their print and creative-services background: PVS Graphics, which they support on business development, and Opus Creative Group, where they say they worked for 13 years. Ask about any sponsorship, affiliate or investment relationships.
They describe it as a blend of coaching independent agency owners and leadership on agency growth and providing fractional business development services to a selected group of agencies.
Lissa Blackaby Forsterer says they returned to PVS Graphics, the sister company of Opus Creative Group, to provide fractional business development support and expand its client base.
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They describe a team producing custom printed and fabricated event, experiential and retail work for Fortune 1000 footwear/apparel, tech and food/beverage brands. They frame the work as fractional business development support, not an employment role.
Lissa Blackaby Forsterer says they worked at Opus Creative Group for 13 years and have known the owners of both Opus Creative Group and its sister company PVS Graphics for years.
Lissa Blackaby Forsterer writes on LinkedIn about growing agencies through relationships rather than cold pitches.
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Two posts offer the practical core: one sets out a routine for checking in with past clients, former coworkers, a client who moved to a new company and contacts from pitches the agency lost; the other urges agency owners to tell the client’s story—the challenge, the joint work and what changed—instead of worrying about sounding boastful.
A second pair announces fractional business development work with PVS Graphics, the sister company of Opus Creative Group, alongside Lissa’s Cheerful Persistency consultancy.
It combines coaching for independent agency owners and leadership with fractional business development for a deliberately limited group of agencies.
Read the warm-network and client-story posts first for the method, then the announcements for the scope and positioning.
The PVS Graphics posts also open a separate thread on printed, fabricated event, experiential and retail production for large footwear, apparel, technology, and food and beverage brands.
Agency growthRelationship-led outreachBusiness developmentClient storytellingFractional business developmentAgency owner coachingLinkedIn postsAgency owners and leadership
Both write about building the capabilities of people who run and support growing organizations, and pair written advice with a structured offering.
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Seeley describes assembling an expert network to help founders make fewer, better decisions before risk compounds, and launching the Vantage venture development platform for founder-supporting organizations.
Blackaby Forsterer coaches agency owners and provides fractional business development to a selected group of agencies.
Each also sets out a clear order of work: Seeley’s Relevance, Reality, Resilience sequence, and their practice of checking in with the warm network, then putting the resulting client outcome into words.
Seeley writes about venture building across hardware, manufacturing, consumer products and other emerging technologies, and about the ESOs, universities and economic development organizations that support founders. Blackaby Forsterer writes about winning and keeping clients at independent marketing agencies, and about PVS Graphics and Opus Creative Group’s printed and fabricated experiential production work.
Both write for people in digital and performance marketing agencies, turning observed patterns in agency life into practical advice.
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Congdon’s post on inflated job titles ends with a lesson about looking at scope rather than title.
Similarly, Blackaby Forsterer’s client-story post closes with a reframe and three questions an owner can answer publicly.
Readers who follow them for the agency-owner perspective can turn to Congdon for the hiring and career side of the same industry.
Congdon focuses on recruitment and career moves: he recruits search and growth marketing people for agencies, eCommerce and SaaS businesses, and writes about how senior-sounding titles distort candidates’ sense of their market position. Blackaby Forsterer focuses on client acquisition and growth habits: who to contact, what to say and how to turn a private client result into a public example.
Lissa Blackaby Forsterer has roughly 16,800 LinkedIn followers and four recent posts aimed directly at agency owners and leaders.
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One describes owners hesitating to discuss client results and urges them to tell the client’s story instead.
Another lists past clients and former colleagues worth reconnecting with for business development.
Two announce fractional business-development work and a return to an agency’s sister company.
Together, the posts show that their content is built for independent agency owners and leaders seeking growth and business-development support.
For a clearer picture of whether those readers match your target buyers, ask for recent post-level results on agency growth and relationship marketing, plus any audience survey covering job role, company type and location.
LinkedIn followers
16,819
Follower count reported on the LinkedIn profile for Lissa Blackaby Forsterer, the account the reviewed posts were published from · 2026-10-11
The posts show no sponsorship policy, media kit, rate card or packaged paid partnership format.
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Lissa Blackaby Forsterer publicly describes a service business rather than a creator sponsorship offer: Cheerful Persistency, an agency growth consultancy that combines coaching for independent agency owners and leaders with fractional business development for a selected group of agencies.
A separate post describes their fractional business development support for PVS Graphics, the sister company of Opus Creative Group, to help it expand its client base.
That is a supplier working relationship, not a sponsorship menu a brand can buy into.
The posts do not say whether they accept sponsorships, so ask directly about availability, deliverables, disclosure, exclusivity and pricing.
Strong fit. This is close to the work Lissa publicly describes doing, and the two habits in the posts map directly onto the agency's problem.
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Brief
An independent marketing agency has a solid client history but no dedicated sales function.
It wants to win three to five new accounts over the next two quarters and is willing to pay for fractional business development help.
Its owner dislikes self-promotion and has never systematically worked through the agency's past clients, former colleagues, and lost pitches.
Reasons
The offer matches the agency's need. The posts describe Cheerful Persistency as an agency growth consultancy that combines coaching for independent agency owners and leadership with fractional business development for a deliberately small group of agencies. They also describe fractional business development support for PVS Graphics aimed at expanding its client base. That is what the agency needs.
The method is documented, not just claimed. One post lays out a concrete warm-network routine: start with people who already know, like, and trust the agency, including past clients, former coworkers, a client who moved to a new company, a junior account lead who was promoted, and contacts from pitches the agency lost. It supplies a sample check-in message and frames the aim as a proposal, a referral, or staying top of mind until the timing aligns.
The second habit covers the case where the agency already has results but will not talk about them. One post argues agency owners share impressive client outcomes privately and then stall with “I don't want to sound boastful,” and offers a reframe: describe the client's challenge, the work done together, and what changed, using the owner's own channel. That directly addresses the owner's stated discomfort with self-promotion.
The work is described as selective, not an open roster. Expect a limited engagement, not a full-service sales team.
Gaps to confirm
The posts do not state current availability, pricing, engagement length, or deliverables, and they publish no inquiry route or service page. Agree these directly before committing.
The posts show no outcomes from past fractional engagements. Ask for references or named results from comparable work.
When to choose a specialist
Weak fit for a paid sponsorship campaign. The posts document little of what such a campaign needs, and some of their content points in a different direction.
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Brief
A consumer brand wants a paid creator sponsorship: a fixed package of sponsored LinkedIn and short-video placements, priced per post and aimed at driving direct-response sign-ups, with success measured by follower reach and cost per acquisition.
Reasons
The posts document no sponsorship product. They describe a service business — consultancy and fractional business development — not a media kit, rate card, or packaged paid placement. A buyer cannot price or scope a sponsorship package from these posts; ask directly whether sponsorships are available and on what terms.
The audience is not measured. The only figure in the posts is a LinkedIn follower count of roughly 16,800, observed 11 October 2026. The posts do not show how many followers are decision-makers, their roles, company types, or locations, or how the posts perform. A paid placement bought on reach alone is being bought blind.
The channel is one-to-one, not broad-funnel. The posts describe segmented personal outreach to warm contacts. A direct-response campaign needs volume audiences and repeated paid impressions — a different machine.
The production work is a different business. PVS Graphics' experiential, event, and retail production is explicitly framed as separate from Lissa's digital growth consultancy, so a brief expecting physical brand-experience execution should not assume it comes with a creator deal.
The follower count indicates reach; it does not show whether a fractional business development engagement or sponsored campaign would reach the right buyers.
Gaps to confirm
The posts do not say whether any paid partnership format is available or on what terms. Confirm this before treating a paid partnership campaign as viable.
To judge a sponsored placement beyond follower count, ask for post-level performance data and any audience survey covering job role, company type, and location.
A worked campaign example
Angle to pitch
A two-track engagement: reactivate the agency's network while turning its existing results into client stories the owner is willing to publish.
Before starting
Confirm the working arrangement, time commitment, and fee directly; the posts set no scope or price and provide no inquiry route.
Agree the measurement baseline up front; the posts show no engagement outcomes.
The recommendation draws on four recent LinkedIn posts of general agency-growth advice. Ask for evidence of results from fractional engagements.
Campaign
Relationship-led business development sprint with an independent agency
Decision
Run a roughly 90-day fractional engagement built around the two habits in the posts, with its own measurement rather than a follower or impression target.
Steps
Detail
Inventory the agency's past clients, former colleagues, contacts from pitches it lost, and people who have moved to new companies. Segment them by relationship type so the message can be adapted, following the groups named in the reviewed outreach post.
Name
Build and segment the warm list
Detail
Send short, specific check-ins rather than pitches — for example, congratulate someone on a role change and offer to catch up. The post says a single conversation can lead to a proposal, a referral, or a chance to stay top of mind until the timing aligns. Treat the cadence as a pipeline, not a one-off campaign.
Name
Set a check-in cadence
Detail
For each warm contact with a relevant result, prepare answers to three questions from the reviewed client-story post: What was the challenge? What did the agency and client do together? What changed as a result? Tell it as the client's story, not the agency's boast, to address the owner's objection to self-promotion.
Name
Turn existing results into client stories
Detail
Give the owner the biggest microphone, as the post puts it, and release the prepared stories on a steady schedule so prospects don't have to connect the dots themselves.
Name
Publish through the owner's own channel
Detail
Log conversations started, proposals requested, referrals named and deals opened by list segment. Judge the sprint by the pipeline it creates, not its reach.
Choose James Congdon when the agency’s real blocker is a person, not a pipeline.
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The posts advertise recruitment for digital agencies, eCommerce and SaaS businesses, covering paid search, paid social, SEO, growth marketing and e-commerce leadership roles in London, the wider UK, the US and Miami.
If the agency decides it needs to hire a performance lead or growth manager before taking on three to five new accounts, this points to hiring rather than business development.
One post also addresses a problem the agency may recognise: inflated agency job titles, such as giving someone a Head of Digital role without the scope to match, can cause good people to rule themselves out of sensible moves because the new title feels like a step backwards.
That is useful context for an owner structuring a role before recruiting.
This is search and placement work, not fractional business development.
Lissa Blackaby Forsterer’s posts do not offer warm-network reactivation, client-story coaching or accountability for winning accounts.
The budget goes to new hires rather than new clients, and the agency still needs someone to turn a hire into revenue.
Recruitment also leaves untouched the agency’s other stated problem: an owner who dislikes self-promotion and has never worked systematically through past clients, former colleagues and lost pitches.
Two LinkedIn posts are available.
Ask for pricing, placement volume, success rates and client references before judging whether the service can deliver.
Consider Michael Seeley when the growth problem is structural rather than relational.
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The posts describe Liminal Group’s work turning early ideas into investable, defensible ventures across hardware, hard-tech consumer products, manufacturing, CPG, softgoods, food and beverage, health and sciences, home goods, IoT and AI.
They also describe Vantage, an expert-powered venture development platform that gives organisations already supporting entrepreneurs another layer of specialist capability.
That fits an agency whose next move is building a new offer, productising its expertise or partnering with institutions that fund and support founders, such as universities, economic development organisations and startup support programmes.
The stated method is explicit about sequence: start with human need, move through execution, then scale what is worth sustaining, because getting that order backwards is where most ventures break.
The posts describe venture building and capability-building for founders and the organisations that serve them, not agency client acquisition.
Neither shows the two things an agency seeking fractional business development needs: a warm-outreach routine for existing contacts and a way to help an owner talk about client results without sounding boastful.
Expect a longer horizon than a roughly 90-day pipeline sprint, focused on shaping what the agency sells rather than reactivating past relationships; the agency must still do the selling afterwards.
Two LinkedIn posts publish no pricing, engagement length or named client outcomes.
Ask directly about scope, availability and client results before proceeding.
The posts cover industrial and infrastructure delivery: a first membrane bio-reactor unit being loaded for commissioning at a footwear manufacturer in Ranipet, and progress on an expatriate housing project at Oragadam in South India, including puddle flange installation, civil works, and quality and safety monitoring. That is relevant to a buyer sourcing environmental engineering or construction project delivery, not to an agency trying to win five new accounts.
Lissa Blackaby Forsterer’s posts do not touch agency growth, business development, coaching or client acquisition.
A buyer substituting this for fractional business development would get no help winning new clients.
Across the options considered here, nobody else is shown offering fractional business development or agency growth consultancy to independent agencies; the nearest matches are recruitment help and venture-building help.
Source a genuine like-for-like alternative before treating any of these options as a substitute.
Four LinkedIn posts by Lissa Blackaby Forsterer describe two near-identical announcements of fractional business development support to PVS Graphics, alongside the Cheerful Persistency consultancy; one post on checking in with warm contacts; and one on telling the client's story instead of self-promoting.
The posts describe what they do and how they describe their work.
A LinkedIn follower count on 11 October 2026 serves only as a reach indicator.
The posts here do not show post dates, so they show current positioning rather than a dated sequence.
No service page, pricing, engagement outcomes, transcripts, longer articles, or other channels appear here.
The posts do not establish signature books, shows, or earlier career work beyond a stated 13-year tenure at Opus Creative Group.
Audience composition, post performance, and whether any paid partnership format exists remain open questions rather than findings.